WARNING: For those of you who, deap in your heart (and madness), believe that stage lightsabers ARE the real thing, this will blow your perception. DO NOT READ!

The technique used to create the lightsaber effect is pretty straightforward but tedious. On the set, the actors use light sabers made of handles that have aluminum rods of the correct length attached to them. The handles are plastic models and the aluminum rods are painted red or green or blue. The actors use these props as though they were light sabers.

After the film is shot, it is taken to the special effects department. The film is developed normally. In this film the actors look like they are fighting with painted broomsticks instead of light sabers. A special effects artist now has the job of making those broomsticks look real. The artist looks at the film frame by frame, and projects each frame that contains a lightsaber onto a clear piece of plastic (an animation cel). The special effects artist draws the outline of each lightsaber blade in the frame onto the cel. Then, for each frame, the artist paints in the correct color for the blade using a bright cartoon color. Eventually the artist has a stack of these cels, one for each frame of the movie containing a lightsaber. The cels are clear everywhere except where the light saber blade is seen in each frame.

Now a new piece of movie film is shot. On this film each animation cel is placed over a black background and shot with a light diffuser over the lens (this diffuser gives the lightsabers the glow they have around the edges). If you were to play this film in a projector, all that you would see is the lightsaber blades moving on a black background. Before it is developed, however, the actual footage from the movie is double-exposed onto this same film. The effect is amazing - the lightsabers look bright and real!

As movies move more into the digital realm, the job of animating the lightsabers gets slightly easier, but not much. In a digital world each frame of the movie is scanned into a computer at extremely high resolution so that each frame can be manipulated on a computer screen. To make the lightsabers look real the special effects artist looks at each frame on the computer screen, outlines the broomsticks, colors the areas and diffuses them (frame by frame by frame...). Instead of being done on a plastic cel, it is all done on separate "cels" in the computer's memory and then merged digitally. However, there is no way to get around the fact that the animator must look at each frame and tediously outline the lightsaber blades one by one.